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I recently bought a Danelectro Fish and Chips EQ pedal in an attempt to tighten up my tone. I really like mine, so I’ve written this article to help convince you to buy one.

Over the course of this review, I’ll explain the purpose of an equalizer pedal – what it does and why you might want one. Then, I’ll explain why I think this pedal is an especially good choice.

This is an unbiased review. I bought my Danelectro Fish and Chips with my own money – I wasn’t loaned it or given it, and I haven’t been compensated to write this review. So, let’s begin!

Danelectro Fish And Chips Pedal

Why get an EQ pedal at all?

Your guitar’s sound occupies a spectrum of high, low, and mid frequencies. Different frequencies within this audio spectrum will be made quieter or louder, depending on your equipment.

Electric guitars and pedals often have a “tone” knob, but it’s rarely obvious or predictable what they do – does turning the knob increase the highs, or the lows? Does it sweep the frequency range it’s affecting? Is it a notch at a narrow frequency position or does it shelve a wide range?

If you want to sculpt the frequencies of your sound in any kind of specific way, the tone knobs won’t be enough. To really shape your tone, you need something that allows precise control, and that’s where equalization (or EQ) gear comes in.

EQ gear for guitars usually comes in the form of a multi-band equalizer pedal (there is another kind of EQ pedal called a parametric EQ that we won’t discuss here). A typical EQ pedal has a few sliders or rotary knobs on top of the pedal, each affecting a specific band of frequencies. If your sound is too shrill, reduce the high frequencies. Too boomy? Reduce the lows. They’ll often also have an overall volume control, making them useful as boost pedals (eg to get louder for a solo).

EQ is great for helping sculpt your own sound, but equally important it helps you blend with other musicians. If you’re playing with a keyboardist, you’ll probably occupy similar frequency ranges, so your sounds might overwhelm each other. By using EQ, you can carve the right frequency range out for each band member.

Why go Danelectro?

Danelectro Fish Chips Manual For Sale

The more frequencies you can control, the more precisely you can shape your tone. Some pedals have five bands, some have seven, others have ten. The Danelectro Fish and Chips hasseven bands: 100Hz, 200Hz, 400Hz, 80Hz, 1.6kHz, 3.2kHz, and 6.4kHz. This means the Fish and Chips gives you have a lot of flexibility to hone your sound.
The build quality is high. The Fish and Chips is built from sturdy plastic. I’d prefer a metal enclosure, but plastic is an understandable compromise to keep the price low. Also, it’s practically noiseless – great for maintaing the integrity of your signal.
The price is great. I bought mine brand-new for $20. Other comparable EQ pedals sell for at least twice that amount.

I like to place mine before my MXR Reverb pedal, since its Tone knob isn’t nearly precise enough for how big its sound is. By shelving some of the low frequencies, I’m able to keep my reverb sounds lush and not boomy.

Danelectro Fish And Chips Settings

In conclusion

The Danelectro Fish and Chips is a great choice if you want a lot of tone-shaping power at a low price. Check them out on Reverb.

1947 - 2020
Nathan Daniel started making Danelectro guitars in 1954 out of Masonite and plywood and featuring the signature lipstick tube pickup. Danos like Jimmy Page’s 59-DC were originally budget guitars, and many were distributed under the name Silvertone & Airline in different department stores. Starting in the 90s, the Danelectro name was reused a few times with reissues of classic modes like the U-2, Doubleneck, and Longhorn along with new pedals like the Cool Cat.

The very first Danelectro guitars were built beginning in 1954. For many teen-agers, this was their first instrument. Brand new, the cheapest models cost as little as $69.00. Many were sold by Sears, under the label 'Silvertone.' The most popular models came in a case with a built-in amplifier.

Today, that $69.00 guitar, unmodified, and in excellent condition could cost you $500.00 or more. Because they were so cheap, many Danelectros were thrown away, damaged or altered along the way.

Constructed simply of wood, vinyl, masonite and Formica, Danelectros used 'lipstick tube' metal pick-ups that were literally purchased from a lipstick-tube manufacturer. The guitars were made simply, with no pearl adornments or expensive wood.

Professional guitarists have driven up the value of authentic Danelectros because they cherish the instrument's unique sound and look. They have a bell-like tone and a very clean sound. But non-professionals, many of them nostalgic baby boomers, are also entranced. There's the show-off, cool aspect to owning one. And the rareness. They have a sound, look and color all their own.

Many of today's top rock guitarists own a Dano. They play them on stage and use them in the studio. Joe Perry of Aerosmith once offered someone $30,000 for an entire Danelectro collection!

Guitars designed by Nathan Daniel (1912-1994) never reached the pantheon of instruments made by Fender, Gibson, and Martin. But in their own way they were no less influential, their low price tag making them readily available to the masses. Cost cutting was achieved through materials and construction. As with this 3012 'short horn' model in 'bronze' finish, the top and back of many Danelectro instruments were made from one-eighth-inch Masonite glued over a poplar framework, and covered over with a painted finish (including trendy colors like fuchsia and peach).

Before Nathan Daniel started the Danelectro company in 1947, he made amplifiers for Epiphone from 1934 to 1946. Epiphone wanted Daniel to make amps for them exclusively, but he preferred to stay independent. Instead he founded the Danelectro company in 1947 and started making amplifiers for Montgomery Ward. By 1948 Daniel expanded and became the exclusive guitar amplifier producer for Sears & Roebuck. At the same time he was also supplying other jobbers such as Targ & Dinner of Chicago.

In the fall of 1954, Daniel started production of solidbody guitars for Sears, under the Silvertone name. He also produced the same guitars under the Danelectro name, sold to other jobbers. These early models didn't have truss rods but had a 3/4' square aluminum tube beginning at the peghead and through the body to the bridge. The bodies were constructed of solid Poplar wood. The Silvertone models were covered with a dark maroon vinyl covering, while the Danelectro models were covered in a whitish tweed material. Both lines came with either 1 or 2 pickups, concealed under a baked melamine pickguard. Concentric stacked tone and volume knobs were used on the two pickup models only. Notably, when both pickups were used together, the tone was much stronger. This was due to wiring the pickups in series, instead of parallel like most other maker's two pickup guitars.

Danelectro's trademark was the masonite construction of the guitar bodies. The bodies were hollow, built around a wooden frame. The bridge was screwed into an internal wooden block that connected the top and back of the body. In earlier models, a piece of wood runs from the neck pocket to the bridge, while late